Sunday, 19 March 2017

Welcome


Hello there and welcome to the "Jason Shergold Music Collector Site".

This blog features articles about various bands and singers, and how to go (more or less) about collecting their records. In the main, the articles will be aimed at people trying to get a collection together from scratch, looking at shortcuts to doing so where they exist, but some articles will be a bit more specialised, with features of video releases, Japanese pressings, etc. As it's built using a Blogger template, it can - at times - look a bit DIY, just think of it as the internet version of "Sniffin' Glue".

As a UK based music fan, most of these articles will revolve around UK discographies, but not necessarily just for UK bands. Although, for some artists featured, their discographies will continue to grow, the post-iTunes scenario is that you can more or less guess what formats albums and singles will be released on nowadays, so these blogs in the main will help to fill in the gaps when multiple physical formats were all the rage.

The blog will be updated at least once every month - if you find that the homepage does not show the Tamla logo above, it will be that the site is being updated, and may not be available for viewing for an hour or two. The updates are expected to occur initially at the start of each month, any later blogs to be published that month will appear at random as the weeks progress. You will be able to click on older editions using the menu buttons in the top right.

The March 2017 edition is now online, with a look at U2 releases from 2000 to the present day.

The blog is also home to my "novel within a website", 'How I Learned To Hate Record Collecting', looking at the workings of the UK record industry. Click on any month from 2014 to view one of the twelve parts that form the whole article. And also check out my online photo collection of tour t-shirts, the accurately titled "Rock & Roll T Shirts" by clicking here: rockandrolltshirts.smugmug.com.

Please note: If you ever notice "newer" pages listed top right, this will be the new issue "in progress" - if you click on it, the whole page will not load. When the new issue is ready, it will be mentioned on this page. You can click on previous years tabs to get previous articles. Once you have selected that year, you can click on a different month to look at different acts.

The acts featured appear in the months listed below:
Adam And The Ants - October 2013
All Saints - February 2014
Lily Allen - August 2010
Ash - April 2014
Atomic Kitten - June 2013
Badly Drawn Boy - November 2014
The Beatles - September 2011 / March 2015 / October 2016
The Beautiful South - December 2014
Victoria Beckham - March 2016
Beyoncé - May 2013
Biffy Clyro - June 2014
Blondie - January 2011 / September 2013
Blur - August 2011 / July 2012 / October 2013
David Bowie - September 2010 / October 2010 / November 2010 / January 2011 / June 2012 / September 2014 / January 2016 / May 2016 / July 2016 / September 2016 / November 2016 / December 2016
Emma Bunton - March 2016
Kate Bush - July 2013
Buzzcocks - December 2011
Belinda Carlisle - October 2013
The Charlatans - February 2014
The Clash - May 2011
Elvis Costello - January 2013 / September 2013
Sheryl Crow - June 2013
The Cure - December 2011 / April 2016
Deep Purple - March 2010
Depeche Mode - May 2012
The Doors - December 2013
Bob Dylan - November 2013
Echobelly - February 2015
Sophie Ellis-Bextor - August 2011
Embrace - November 2013
The Flaming Lips - November 2011
Foo Fighters - May 2014
Peter Gabriel - August 2013
Genesis - April 2011 / January 2014
Girls Aloud - August 2010 / November 2013
Goldfrapp - August 2013
Green Day - June 2014
Geri Halliwell - March 2016
Deborah Harry - January 2011
Jimi Hendrix - September 2010
Inspiral Carpets - April 2012
The Jam - May 2013
Elton John - August 2012 / September 2012 / October 2012 / November 2012
Joy Division - March 2011
Kenickie - October 2010
The Kinks - November 2010 / April 2011 / May 2013
Led Zeppelin - November 2015
John Lennon - May 2013
Pixie Lott - February 2011
Madness - November 2011
Madonna - April 2010 / July 2010 / August 2010 / September 2010 / March 2011 / June 2011 / July 2011 / August 2011 / September 2011 / October 2011 / November 2011 / March 2012 / November 2012 / January 2013 / November 2013 / March 2014 / August 2015 / January 2016 / June 2016 / December 2016
Mansun - August 2011
Dannii Minogue - September 2011
The Moody Blues - October 2015
Morrissey - April 2014
Kate Nash - February 2011
New Order - October 2012
Nirvana - June 2011 / December 2012
Oasis - April 2013
Pet Shop Boys - May 2011 / June 2011
Pink Floyd - January 2011 / July 2011
P!nk - April 2012
Elvis Presley - March 2011 / October 2011 / November 2013 / December 2013 / January 2014
Prince - January 2015
Pulp - August 2011
Queen - December 2010 / September 2011
Lou Reed - September 2015
Cliff Richard & The Shadows - July 2011 / February 2017
Rolling Stones - July 2010 / October 2010 / March 2011
The Saturdays - April 2011
Siouxsie & The Banshees - March 2013 / July 2014
Slade - May 2012
Sleeper - December 2013
Smashing Pumpkins - June 2012
The Smiths - June 2010
Britney Spears - November 2010 / December 2010
Spice Girls - February 2016
Bruce Springsteen - February 2012
Status Quo - January 2012
Cat Stevens - February 2012
Rachel Stevens - July 2011
The Stranglers - February 2010 / December 2011 / May 2013 / September 2013 / December 2013 / July 2014 / October 2014 / May 2015 / December 2015
Suede - August 2011
Sugababes - August 2012
Super Furry Animals - September 2014
Supergrass - August 2014
TRex - December 2010
Theaudience - August 2011
Thin Lizzy - February 2013
The Thrills - June 2015
Tin Machine - December 2010
Tubeway Army - August 2016
U2 - March 2012 / December 2012 / March 2017
Frankie Valli & The 4 Seasons - January 2017
The Velvet Underground - October 2010
The Walker Brothers - June 2011
Scott Walker - September 2010 / February 2013
Paul Weller - December 2014
The Who - May 2010 / August 2012 / July 2013
Kim Wilde - October 2013
Yes - July 2015
Neil Young - April 2015

Blogger can have a mind of it's own at times, so if you click on a year and get NO menu, click on the arrow next to the year, and you should get the list of months for that year to help you navigate a bit easier. To return to the homepage, you can click on the tab for the current year. Several blogs are in production, with articles on REM and Transvision Vamp due over the next few months.

You can email me using the link above, and if you can add any information, you can add comments to the blog using the link at the bottom of the relevant page. Regards, Jason.

























































Frankie say NO to downloads!

U2: 2000-2016


So, eventually, we come to what is, for now, my final U2 blog looking at the basic album and singles discography in the UK. A video one will hopefully be done in due course. This year sees the band preparing to commemorate the 30th anniversary of “The Joshua Tree”, and with the band’s physical single releases now reaching levels of non-exist-ency, this is as good a time as any to bring the story up to date.

There isn’t really too much to say about this period of the band’s career. Musically, the band didn’t reinvent the wheel, instead creating albums that seemed to mine parts of their back catalogue, sometimes experimental, sometimes back to the days of “widescreen rock”, but often with pretty good results. The group found it increasingly difficult to continue to get radio play in the UK though, as the likes of Radio 1 began to slowly push the band off towards the sidelines as the Noughties progressed, and whenever people did talk about them, it was usually with an element of disdain - the continued perception that Bono was convinced he was some sort of god, the “iTunes Incident” generated by the freebie release of “Songs Of Innocence”, the ambivalence towards 2009’s actually really wonderful “No Line On The Horizon” - as REM threw in the towel and got praised for doing so, U2 continued to exist, allowing people to continue to moan about them. But just look at some of the songs from this period, and you will realise that we should be pleased that this band are still going - “Magnificent”, “City Of Blinding Lights”, “Elevation” and “Yahweh” to name but four. And of course, they have the advantage of not being Calvin Harris.

2000’s “All That You Can’t Leave Behind” was trailed by the epic “Beautiful Day” single, and was supported by a mega tour, in which the band began to shoehorn more oldies into the set. It spawned multiple singles, all of which were subjected to much multi formatting, with later releases appearing as DVD singles which at the time, was the new format on the block. The release of “Elevation”, itself with an Angelina Jolie starring promo thanks to it’s “Tomb Raider” link, included a non-chart eligible remix 12”, which featured mixes of both this track and “Beautiful Day”, and was presented as a double A-side release of sorts.

The album came after the band had contributed a new song, “The Ground Beneath Her Feet”, to the soundtrack of “The Million Dollar Hotel”, and selected formats of the album included it as a bonus - some UK CD editions listed the track but actually failed to include it on the actual disc itself. The live B-sides on the CD2 edition of “Beautiful Day” were lifted from the band’s “Popmart: Live From Mexico City” VHS, which as alluded to in my last U2 blog, was also released in alternate form as a fan club only CD, “Hasta La Vista Baby”, at round about the same time as this single. “Walk On” was released as the final UK single in the fall of 2001, long after the band had toured the UK, but it had actually been issued in Canada (in the same basic sleeve design) some nine months previously.

The band’s follow up hits album to the “1980-1990” release followed in 2002, the obviously titled “The Best Of 1990-2000”. This time around, the single used to promote the set was a brand new track, “Electrical Storm”, but just like it’s predecessor, the album was issued as a limited edition release with a second disc of B-sides. However, this one wasn’t quite as exciting, as we were now very much in the era of CD Singles, and as such, for every B-side that made the set, two or three others didn’t. So, this wasn’t as good a box ticking exercise as the bonus disc on “80-90” had been. Some copies came with a free DVD, but this was also given away with initial copies of the accompanying “Best Of” DVD that was released at the tail end of 2002.

“Electrical Storm” was subjected to a single mix by William Orbit, which was included on the main album, whilst the ‘original’ version, issued as the lead track on the CD2 edition of the single, was also included on the “B-Sides” disc of the album. A number of tracks were remixed for this new best of, similar to the situation where some of the tracks on the B-sides disc in the “1980-1990” set had been subjected to some editing. The DVD release of the single featured an “Interview With Larry” - the band’s drummer has often been elevated to the status of erstwhile front man, as it was he - and nobody else in the group - who was featured on the cover of “Songs Of Innocence”.

2004’s “How To Dismantle An Atomic Bomb” was also launched with a ‘big’ power pop single, in the form of “Vertigo” - quite an energetic piece of noise, but arguably just a little bit formulaic, and probably outshone by some of the later singles, such as the melancholic “Sometimes You Can’t Make It On Your Own” or the bouncy throb of “All Because Of You”. Nevertheless, it was for a while - and for some, probably still is - one of the band’s calling cards. During their summer stadium shows in 2005, the band even used to play it twice, to both open and close their set.

Once more, singles from the album were subjected to much multi formatting, with pretty much everything released containing something exclusive. A multitude of remixes were made of “Vertigo”, which resulted in both a non chart eligible 12” being issued when the single was first in the charts, and another one being released alongside the release of “Sometimes”. The band’s “secret” gig that they performed by the Brooklyn Bridge in New York in late 2004 was documented via some of these singles, with a video of the performance of “City Of Blinding Lights” making it onto a DVD single, and “She’s A Mystery To Me” surfacing as a B-side.

Given that the band’s two previous best of sets were quite high profile, it makes it all rather odd that a new compilation, offering bits of the first release, and bits of the second, was released. But it looks as though the release was done to try and include material from the last two studio albums, and the release of “18 Singles” also coincided with the release of a career spanning hardback book by the band. All 18 songs were singles, as the two new songs, “The Saints Are Coming” (with Green Day) and “Window In The Skies” were issued as singles either side of the album’s release.

Selected formats of the latter featured the band’s cover of Leonard Cohen’s “Tower Of Song”, which featured the great man himself, and the DVD edition featured the video of the track - the recording dated back to a 2005 documentary on Cohen called “I‘m Your Man“. Like most of the albums from this period, a limited edition version of the LP was released, which included a short live DVD from the recent “Vertigo” tour - the performance was from a different show than that included on the full length “Vertigo Live” DVD that had been issued the previous year.

2009’s “ No Line On The Horizon” had a mixed reception from the critics, and indeed, seems to be an album which could be seen as being released in the middle of the band’s wilderness years. The album took ages to complete, with the very earliest work being conducted back in 2006 before the release of the “18 Singles” album. Lead single “Get On Your Boots” was seen as a poor choice of lead 45, and the band’s hopes of playing Glastonbury the following summer were dented after Bono suffered a spinal injury early that year. The band accepted an invite to appear the following year, where the band filled the set with material from “Achtung Baby” to celebrate it’s 20-year anniversary.

As for “No Line”, sales dipped off quickly, and the single releases from the album struggled. Band members later lined up to criticize the album, but despite this, the first time I heard it, I loved it. Even though it did get some good reviews when it was first released, the underwhelming performance of the record has seen it get buried in the list of “poor albums by once great artists”, which is unfair - perhaps it will get re-evaluated in twenty years.

With the physical single now becoming a lost art, there was little in the way of multi formatting when it came to the three single releases from the LP. The first two singles appeared as 2-track CD’s and 2-track 7” singles, both with the same B-sides. Final single, “I’ll Go Crazy If I Don’t Go Crazy Tonight”, opted for a different approach, with the 7” including a remix of the A-side, and the CD Single offering a live recording of previous 45 “Magnificent”. With the exception of a freebie 7” included in a DVD boxset release, these singles represented the final physical releases on the format for the band in the UK (at the time of typing). 2014’s “Songs Of Innocence” was of course hyped via it’s “free to all iTunes users” publicity trick, and promo for the album beyond this was via a series of radio only singles and TV performances of said singles. To try and encourage people to buy the physical product, the double-CD and white vinyl editions featured material exclusive to those formats.

Discography

Whenever I go onto the Super Deluxe Edition website, there are often quite vicious comments about the price of so-and-so’s new “special edition” of their album, with a complete refusal to buy said release until the price drops. So, I am not the only one who can sometimes only stretch their cash so far. So, I have decided to list below what are the standard (ish) versions of each U2 album from the period, along with the vinyl edition (to cater for the hipsters, of which, sometimes, I am actually one) and, for the post-2001 albums, the deluxe edition. Of course, the deluxe editions all feature exclusive material, so if money is no object, then they are the ones to go for.

With the singles, U2 made a point of including exclusive material across virtually every format on every release, so listed below are pretty much every single released by the band in the UK during this period. Anything missing is likely to just be the odd cassette single, which would have included less material than it’s CD counterpart anyway, hence it’s absence (I think only the tape issue of “Beautiful Day“ is excluded below, from memory). It is worth pointing out that multiple remixing of latter period singles from the “No Line” album were conducted for the US market, so anybody unimpressed by the track listing of the “Magnificent” or “I’ll Go Crazy” singles may wish to hunt down the lengthier, multi mix, maxi singles that appeared in the US either as promo or commercial releases.

SELECTED ALBUMS 2000-2016

All That You Can’t Leave Behind (LP, Island U2 12)
All That You Can’t Leave Behind (CD, with bonus track “The Ground Beneath Her Feet”, some copies numbered, Island CID U2 12)

The Best Of 1990-2000 (2 x LP, Island U2 13)
The Best Of 1990-2000 (CD, Island CID U2 13, other editions exist without “The Fly”)
The Best Of 1990-2000 & B-Sides (2 x CD, Island CIDT U2 13, 14 extra tracks on CD2, some copies issued as triple pack with free DVD)

How To Dismantle An Atomic Bomb (LP, Island U2 14)
How To Dismantle An Atomic Bomb (CD, with bonus track “Fast Cars”, Island CID U2 14)
How To Dismantle An Atomic Bomb (CD + DVD, with bonus track “Fast Cars” and free “U2 And 3 Songs” DVD, Island CIDX U2 14, unique hardback book sleeve with obi strip)

18 Singles (2 x LP, Island U2 18)
18 Singles (CD, Island CID U2 18)
18 Singles (CD + DVD, Island 06025 171 3593 2, boxset edition with free “Vertigo Live From Milan” DVD, two different packaging styles available)

No Line On The Horizon (2 x LP, Island 179 6038)
No Line On The Horizon (CD, Island 179 6037, other editions exist housed in slipcase or digipack sleeves)
No Line On The Horizon (CD + DVD, Island 179 6097, boxset edition with posters and book, different front cover to above editions)

Songs Of Innocence (2 x White Vinyl LP, Island 470 4888, with 12“ Mix of “The Crystal Ballroom“)
Songs Of Innocence (CD, Island 470 4892, no bonus tracks)
Songs Of Innocence (2 x CD, Island 470 4894, with 11 extra tracks on CD2, “The Crystal Ballroom” is a shorted version on this edition)

SELECTED SINGLES 2000-2016

Beautiful Day/Summer Rain/Always (CD1, Island CID 766, stickered p/s + insert)
Beautiful Day/Discotheque (Live Mexico City Foro Sol Autodromo 3.12.1997)/If You Wear That Velvet Dress (Live Mexico City Foro Sol Autodromo 3.12.1997) (CD2, Island CIDX 766, blue p/s)

Stuck In A Moment You Can’t Get Out Of/Big Girls Are Best/Beautiful Day (Quincey And Sonance Remix) (CD1, Island CIDX 770)
Stuck In A Moment You Can’t Get Out Of/Beautiful Day (Live Universal City 27.10.2000)/New York (Live Universal City 27.10.2000) (CD2, Island CID 770, different coloured p/s)
Stuck In A Moment You Can’t Get Out Of/Big Girls Are Best (Cassette, CIS 770)

Elevation (Tomb Raider Mix)/(Escalation Mix)/(The Vandit Club Mix) (CD1, Island CID 780)
Elevation (Tomb Raider Mix)/Last Night On Earth (Live Mexico City Foro Sol Autodromo 3.12.1997)/Don’t Take Your Guns To Town (CD2, Island CIDX 780, blue p/s + insert)
Elevation (Video #1)/(Video #2)/Excerpts from MTV’s “Making The Video : U2” (DVD, Island CIDV 780, orange p/s + insert)
Beautiful Day (Quincey And Sonance Remix)/(The Perfecto Mix)/(David Holmes Remix)/Elevation (The Vandit Club Mix)/(Influx Remix)/(Escalation Mix)/(Quincey And Sonance Remix) (2 x 12”, Island 12 ISD 780, unique p/s)

Walk On (Video Version)/Where The Streets Have No Name (Live Boston Fleetcenter 6.6.2001)/Stay (Faraway, So Close!) (Live Toronto 25.5.2001) (CD1, Island CID 788)
Walk On (Single Version)/Stuck In A Moment You Can’t Get Out Of (Acoustic)/(Video #2) (CD2, Island CIDX 788, blue p/s)
Walk On (Video #2)/4 x 30 Second Clips From Elevation 2001 U2 Live From Boston/Walk On (Video #1) (DVD, Island CIDV 788, green p/s)

Electrical Storm (William Orbit Mix)/New York (Nice Mix)/(Nasty Mix) (CD1, Island CID 808)
Electrical Storm/Bad (Live Boston Fleetcenter 6.6.2001)/40 (Live Boston Fleetcenter 6.6.2001)/Where The Streets Have No Name (Live Boston Fleetcenter 6.6.2001) (CD2, Island CIDX 808, different p/s)
Electrical Storm (William Orbit Mix)/(Video)/Interview With Larry (DVD, Island CIDV 808, unique p/s)

Vertigo/Are You Gonna Wait Forever? (CD1, Island CID 878, plus insert)
Vertigo (LP Version)/(Jacknife Lee 10”)/Neon Lights (CD2, Island CIDX 878, different p/s plus insert)
Vertigo (Video #2)/(LP Version)/Are You Gonna Wait Forever?/Vertigo (Jacknife Lee 10”) (DVD, Island CIDV 878, unique p/s plus insert)
Vertigo (Jacknife Lee 12”)/(Jacknife Lee 7”)/(Jacknife Lee 10”)/(Jacknife Lee 12” Instrumental) (12”, Island 12 ISD 878)

Sometimes You Can’t Make It On Your Own (Radio Edit)/Fast Cars (Jacknife Lee Mix) (CD1, Island CID 886, plus insert)
Sometimes You Can’t Make It On Your Own (Radio Edit)/Ave Maria (Jacknife Lee Mix)/Vertigo (Redanka Power Mix) (CD2, Island CIDX 886, red p/s plus insert)
Sometimes You Can’t Make It On Your Own (live Dublin GQ Studios 16.11.2004 - Video)/Vertigo (Video)/Sometimes You Can’t Make It On Your Own/Vertigo (Trent Reznor Remix) (DVD, Island CIDV 886, black p/s plus insert)
Vertigo (Redanka Power Mix)/(Trent Reznor Remix) (12”, Island 12 ISD 886, unique p/s)

City Of Blinding Lights (Radio Edit)/All Because Of You (Killahurtz Fly Mix) (CD1, Island CID 890)
City Of Blinding Lights (Radio Edit)/The Fly (Live Manchester G-Mex 19.6.1992)/Even Better Than The Real Thing (Live Manchester G-Mex 19.6.1992) (CD2, Island CIDX 890, unique p/s)
City Of Blinding Lights (Live at Brooklyn Bridge - Video)/Sometimes You Can’t Make It On Your Own (Video)/City Of Blinding Lights (DVD, Island CIDV 890, different p/s)

All Because Of You (Single Mix)/She’s A Mystery To Me (Live New York Brooklyn Empire-Fulton Ferry Park 22.11.2004) (CD1, Island CID 906)
All Because Of You (Single Mix)/Miss Sarajevo (Live Milan San Siro Stadium 20.7.2005)/A Man And A Woman (Acoustic) (CD2, Island CIDX 906, different p/s)
All Because Of You (Video)/City Of Blinding Lights (Video)/All Because Of You (Single Mix) (DVD, Island CIDV 906, unique p/s)

The Saints Are Coming (Original)/(Live in New Orleans) (7”, Mercury 171 3138, numbered)
The Saints Are Coming (Original)/(Live in New Orleans) (CD, Mercury 171 3137)

Window In The Skies/Tower Of Song (CD1, Mercury 171 8122)
Window In The Skies/Zoo Station (Live Buenos Aires River Plate Stadium 2006)/Kite (Live Sydney Telstra Stadium 11.11.2006) (CD2, Mercury 171 8124, different p/s)
Window In The Skies/The Saints Are Coming (Video)/Tower Of Song (Video) (DVD, Mercury 171 8125, unique p/s)

Get On Your Boots/No Line On The Horizon 2 (7”, Island 179 8673)
Get On Your Boots/No Line On The Horizon 2 (CD, Island 179 8676)

Magnificent (UK Edit)/Breathe (Live Boston Somerville Theatre) (7”, Island 270 1248)
Magnificent (UK Edit)/Breathe (Live Boston Somerville Theatre) (CD, Island 270 1247)

I’ll Go Crazy If I Don’t Go Crazy Tonight (Single Version)/(Dirty South Radio Mix) (7”, Island 271 6223)
I’ll Go Crazy If I Don’t Go Crazy Tonight (Single Version)/Magnificent (Live Boston Somerville Theatre) (CD, Island 271 6226)

FANCLUB ALBUMS

Hasta La Vista Baby! (CD, Island HASTA CD1, Mexico City 1997)
U2.Communication (CD + CD-Rom, Island/U2 Dot Com U2.comv1, selected recordings from the 2005 tour)
Zoo TV Live (2 x CD, U2 Dot Com U2.com2, Sydney 1993 plus bonus track)
U2 Go Home (2 x CD, U2 Dot Com U2.com3, Slane Castle 2001)
Medium Rare & Remastered (2 x CD, U2 Dot Com U2.com4, outtakes, alternative versions and B-sides)
Artificial Horizon (CD, U2 Dot Com U2.com5, remixes)
Artificial Horizon (3 x 12”, U2 Dot Com U2.comv5, as above)
Duals (CD, U2 Dot Com U2.com6, released and unreleased duets)
U22 (2 x CD, U2 Dot Com U2.com7, live tracks from 2009-2011)
From The Ground Up (CD, U2 Dot Com U2.com8, more live tracks from 2009-2011)
Another Time Another Place (2 x 10”, U2 Dot Com U2COMV10, London Marquee Club 1980)